Category Archives: San Jose

Neoclassical Master: Works by Sir Frederick Ashton in Ballet San Jose’s 2013 Season

Rudy Candia and Alexsandra Meijer in Sir Frederick Ashton's "Méditation from Thaïs." Photo by Robert Shomler.

Rudy Candia and Alexsandra Meijer in Sir Frederick Ashton’s “Méditation from Thaïs.” Photo by Robert Shomler.

One week from today, Ballet San Jose’s 2013 Season will continue with our mixed repertory program, Neoclassical Masters. We’re especially thrilled to be performing two incredible ballets by legendary ballet choreographer Sir Frederick AshtonLes Rendezvous, a suite of witty, light-hearted dances set in a park; and Méditation from Thaïs, a rich and poetic pas de deux set to the beautiful violin solo “Méditation” from Massenet’s opera Thaïs.

The stagers of these incredible works–former Royal Ballet soloist Hilary Cartwright (Les Rendezvous) and former RB principal Bruce Sansom (Méditation from Thaïs)–shared their thoughts about Ashton’s choreography for our Playbill, and we want to give you a sneak peek! Read on for some interesting insights to the pieces, and don’t miss seeing them performed for the first time on the CPA stage next weekend.

Continue reading

Tagged , , , , , , , , , , , , ,

Review Roundup: Ballet San Jose’s “Don Quixote”

Ballet San Jose Soloist Junna Ige as Kitri. Photo by Robert Shomler.

Ballet San Jose Soloist Junna Ige as Kitri. Photo by Robert Shomler.

Ballet San Jose’s company premiere of Don Quixote may be over, but the reviews are rolling in! We had such a wonderful run last weekend of ballet’s original romantic comedy that even now we can still hardly believe it’s over! Take a look at what some of the critics around the Bay Area have said about this production of Don Quixote (staged by Ballet SJ Artistic Advisor Wes Chapman), our special guest artist José Manuel Carreño, and our fantastic company.

Continue reading

Tagged , , , , , , , , , , , , , , , , ,
Ballet SJ apprentice Thomas Baker. Photo credit: Olivier Wecxsteen.

Ballet SJ apprentice Thomas Baker. Photo credit: Olivier Wecxsteen.

After a successful run of The Nutcracker in December, Ballet San Jose is all caught up in the magic of love! The company has spent the past month preparing in earnest for the company premiere  of Don Quixote — or, as we like to call it, ballet’s original romantic comedy. While Kitri polishes her fouettés and Mercedes perfects her sultry smolder, we’re continuing our Artist Spotlight blog series, in which we have been focusing on the new dancers in the company this season.

For all the male dancers out there, here’s another interview just for you! Thomas Baker is a new apprentice with the company, and he has some pretty interesting stories to tell. Find out how Thomas got his start in ballet, his favorite memories from 2012, and the inspiration that made him such a fabulous “Fritz” in the world premiere of Karen Gabay’s The Nutcracker.

Continue reading

Artist Spotlight: Ballet San Jose Apprentice Thomas Baker

Tagged , , , , , , , , , , , ,

A Good First Look: Ballet San Jose’s New “Nutcracker”

From Karen Gabay's "The Nutcracker," performed by Ballet San Jose. Photo by Robert Shomler.

From Karen Gabay’s “The Nutcracker,” performed by Ballet San Jose. Photo by Robert Shomler (2012).

Ballet San Jose’s brand new Nutcracker opened this past Saturday in a gorgeous swirl of snow and infectious energy. Longtime Ballet SJ principal dancer Karen Gabay has choreographed a new production from a unique perspective: that of one of the only female choreographers in the world to choreograph a Nutcracker for a major ballet company. Performed to full orchestral accompaniment by Symphony Silicon Valley, her Nutcracker has given South Bay audiences a new look at the a classic holiday tale.

In her review for the San Jose Mercury News, Rita Felciano wrote:

This year Gabay…joined that still rare breed of women who choreograph major pieces for professional ballet companies. Gabay is no beginner at making dances. Still, tackling “Nutcracker” was a huge challenge — and opportunity. Supported by the Symphony Silicon Valley, under the baton of the ballet’s new musical director George Daugherty, she gave her home team and the legion of “Nutcracker” lovers, a family-friendly, fresh interpretation of the old tale — including a new twist.

Ms. Felciano went on to call parts of this new production of Nutcracker “ingenious,” praising Ballet SJ dancers for worthy performances, and later wrote that the “national dances are every ‘Nutcracker’s’ balletic highlights. Gabay gave us convincing versions with a feminist touch to some of them.”

In her review for triviana.com Arts & Entertainment, Virginia Bock wrote:

With festive sets, elegant costumes, a familiar story and Tchaikovsky’s well-known score, “The Nutcracker” ballet has been an audience favorite and a holiday tradition for decades. Ballet San Jose’s new production adds humor, complexity and some stunning new choreography that should keep audiences coming back for years to come.

Writing for CriticalDance.com, Heather Desaulniers noted:

With its brand new “Nutcracker”, Ballet San Jose continues to inject life, vision and vitality into the South Bay’s performing arts scene. Choreographed by BSJ’s own Karen Gabay, this full-length holiday extravaganza is a thoughtful and fresh interpretation of E.T.A. Hoffmann’s story, complete with elegant dancing and striking originality…Accompaniment by Symphony Silicon Valley was the icing on the cake.  Under the direction of conductor George Daugherty, the music was dynamic, articulate and interactive, exactly what is required of and demanded by a Tchaikovsky score.

Dr. Gary R. Lemco, in his review for “The Classical Music Guide” forums at http://www.classicalmusicguide.com, added:

Peter Tchaikovsky’s perennial Christmas favorite, The Nutcracker, hardly needs promotion, but the Ballet San Jose production, with new choreography by former prima ballerina Karen Gabay, struck a chord, both resonant to the ear and panoramic to the eye, that warrants special mention. With the Symphony Silicon Valley under the masterful leadership of conductor George Daugherty, the audience at the Friday, December 14, 2012 performance at the San Jose Center for the Performing Arts recovered much of the original wonder and enchantment of both the composer and “librettist,” E.T.A. Hoffmann’s, often nightmarish parable of humanity’s liberation from its primal fears to embrace its own childhood innocence.

And Dr. Lemco also gave Ballet SJ School students a very positive mention:

Ms. Gabay’s singular effort was to engage as many young dancers as possible in the ensemble pieces, so the production glowed with Ballet SJ School Students.

Bravi! Congratulations to Karen, George, the company, Ballet SJ School students, and Symphony Silicon Valley. Every good review is well deserved!

It’s been an amazing run so far, but the show not over yet! Ballet SJ’s new Nutcracker runs through this Sunday, December 23, and there are still tickets available. Buy online or call our Box Office at (408) 288-2800 during regular business hours. Tickets can also be purchased one hour before show time at the San Jose Center for Performing Arts.

Happy holidays!

Tagged , , , , , , , , , , ,

Artist Spotlight: Ballet San Jose Dancer Alex Kramer

Alex Kramer photographed by Jade Young

Alex Kramer photographed by Jade Young

Nine days ago, Ballet San Jose gave the South Bay a one-night-only preview of our 2013 Repertory Season with an amazing Inaugural Gala performance at the San Jose Center for the Performing Arts. The rep earned some very complimentary reviews from publications around the Bay Area and we couldn’t be more thrilled! Every person who took the CPA stage on November 3 — from critically acclaimed concert violinist Rachel Lee to the company dancers of Ballet San Jose, both familiar and new — gave an awe-inspiring performance. We think the gala gave Bay Area audiences a really inspiring look at the new pieces in the coming season!

Now, we’ve begun to look ahead to Ballet SJ’s new production of The Nutcracker, which will make its world premiere on December 8. As we gear up for this run of Nutcracker, we pick up where we left off with our Artist Spotlight blog series. Meet another new face in the corps de ballet: Alex Kramer, an alumnus of the Jacqueline Kennedy Onassis School at American Ballet Theatre (ABT) and former member of ABT Studio Company. Before the gala, we talked to Alex about what inspired him to become a dancer in Grand Junction, CO, his mentor at ABT, and his thoughts about leaving New York City.

Continue reading

Tagged , , , , , , , , , ,

What to Wear to the Ballet: Silicon Valley Edition

Alexsandra Meijer in Ben Stevenson's Cinderella, which opens tomorrow. Photo by Chris Hardy.

Sure, you can attend the ballet dressed as Cinderella! Ballet SJ Principal Alexsandra Meijer models the fashions in a photo by Chris Hardy.

The following blog post was contributed by guest blogger Elizabeth Werness, a writer, beginning-level ballet dancer, and longtime friend of Ballet San Jose School principal Dalia Rawson. She loves reading fashion blogs, going to the ballet, and dressing up. Ballet San Jose does not necessarily endorse the products Elizabeth has linked in this post, but we do think these styles are pretty darn cute!

Nailing “casually chic” without swerving off into “sloppy” or “trying too hard” is tricky. So as a resident of Silicon Valley, what do you put on for Ballet San Jose’s upcoming performance of Cinderella? We explore some of your sartorial options.

Continue reading

Tagged , , , , , , , , , , , ,

A Conversation with BSJ Apprentice Vimala Jeffrey-Howe

Vimala Jeffrey-Howe was recently promoted to apprentice at Ballet San Jose.

Vimala Jeffrey-Howe was recently promoted to apprentice at Ballet San Jose.

When Ballet San Jose announced the promotion of 22-year-old Vimala Jeffrey-Howe, a former Ballet San Jose School student, to apprentice in the professional company a couple of weeks ago, she called her parents immediately.

Continue reading

Tagged , , , , , , , , , , , , ,

Audition for the 2012 Ballet San Jose School Summer Intensive this Sunday, March 25

Advanced Students from Ballet San Jose School, photographed by Scott Belding

Advanced Students from Ballet San Jose School, photographed by Scott Belding

A reminder from Ms. Rawson, Principal of Ballet San Jose School:

Ballet San Jose School’s 2012 Summer Intensive Audition will be held this Sunday, March 25. This year’s Summer Intensive will include classes taught by Ballet SJ School’s world-class Faculty, all of whom will be certified in the American Ballet Theatre National Training Curriculum. Rounding out a full schedule of focused ballet training that already includes Pointe, Mens Class, Variations and Partnering, we will be offering some new classes on our schedule this year: Modern, Contemporary, Ballet Mime, and Music for Dancers. Advanced students will also participate in Classical and New Works Repertoire classes, where they will be coached in selections from the Classical Repertoire and will have the opportunity to participate in the creation of a new work.

For more information, please visit the Ballet San Jose School website or call the School Registrar at (408) 288-2820 x223. We hope to see many of you there!

Tagged , , , , , , ,

Ballet San Jose Dancers Shannon Bynum & Sarah Stein on Growing Up in San Jose

This slideshow requires JavaScript.

SAN JOSE, CALIFORNIA is an area of such diversity that you may be unsurprised to learn that most of our dancers come from everywhere but San Jose. Whether they trained in Japan, Russia, or Bosnia, Ballet San Jose’s dancers bring to the table a host of different cultural perspectives. And this same multiculturalism is what makes San Jose the heart of the Silicon Valley, a hotbed of innovation and progress. The city itself seems to thrive on its ability to attract people from all over the world.

But what about the dancers who grew up in the San Francisco Bay Area? What has it meant for them as people and as artists?

Meet Shannon Bynum and Sarah Stein, the only current Ballet San Jose dancers who were born and raised in the immediate area. While all BSJ dancers seem to have the same easy camaraderie with one another, it is immediately apparent that Shannon and Sarah have known each other for a long time. Last month, I grabbed dinner with them and talked to them about growing up in San Jose. Continue reading

Tagged , , , , , , , , ,

Ballet San Jose Looks Ahead to Program Two and ‘Cinderella’

Texas Ballet Theater’s “Cinderella” from Jeff Resta on Vimeo.

WITH PROGRAM ONE already a week behind us, Ballet San Jose is still bustling with activity. After a fantastic and inspiring run of Program One, the staff and dancers have barely had time to stop and savor the reviews. And there have been some good ones!

Steven Winn, writing for the San Francisco Chronicle, liked the “dancers’ ingenuous charm and infectious high spirits.” Of Jerome Robbins’ contemporary romp Interplay, San Jose Mercury News correspondent Rita Felciano wrote: “…rarely has intricacy looked so easy.” Beeri Moalem of Examiner.com gave Program One 4 out of 5 stars, commenting that the “Corps de Ballet, soloists, and principals were all marvelous.” A big thank you to Steven, Rita and Beeri. We’re so glad you all enjoyed the show!

Now, we look ahead to another exciting series of premieres in Program Two (April 13-15), including George Balanchine’s Allegro Brillante, set to Tchaikovsky’s “Unfinished Piano Concerto No. 3 in E flat,” and Clark Tippet’s Bruch Violin Concerto No. 1. Also on the bill are Splendid Isolation III, a stunning pas de deux choreographed to Gustav Mahler’s “Adagietto” by Jessica Lang, and Stanton Welch’s Clear. If Program One was, as Steven Winn wrote, a “diverse and entertaining evening,” our next spring repertory program will offer audiences an even wider variety of classical and contemporary works.

But the 2012 spring season doesn’t end with Program Two. From our conversations with Ballet San Jose School students and other supporters around the Bay Area, we know many BSJ fans young and old are particularly excited to attend Ballet San Jose’s company premiere of Ben Stevenson’s full-length story ballet Cinderella (Program Three, May 4-6).

Cinderella is two months away, but you can whet your appetite by watching Jeff Resta’s gorgeous slideshow above with photographs from Texas Ballet Theater’s 2010 production of Ben Stevenson’s Cinderella. We can’t wait to see this piece on our stage in May!

Tickets for Program Two and Cinderella are currently on sale. And here’s a tip from Dennis and Lauren in the Box Office: You can save 20% on tickets to Programs Two AND Three when you purchase a discounted 2-program subscription. Visit the Ballet San Jose website or call (408) 288-2800 for more information.

See you in April!
Erica

Tagged , , , , , , , , , , , , , , , ,
Follow

Get every new post delivered to your Inbox.

Join 1,627 other followers