Tag Archives: guest post

Merce Cunningham’s “Duets”: Rehearsal Process with Patricia Lent, Merce Cunningham Trust

Master Choreographer Merce Cunningham. Photo by Annie Leibovitz.

Seminal choreographer Merce Cunningham. Photo by Annie Leibovitz.

Contributed by Harriet McMeekin, Ballet San Jose corps de ballet

 

The rehearsal process we’ve experienced so far is vastly different from our normal rehearsals at Ballet San Jose: no music. Silence. Sing-song rhythms echoing in the studio. We eventually graduate to the soft beep of a stopwatch. “And begin,” then gradually “stop,” and “cue.”

“Not bad, only 15 seconds slow,” she says.

It’s a process that’s taken getting used to but has bolstered my confidence in my inner rhythm. I am better able to connect and communicate with my partner and fellow dancers without words. This is critical, as we don’t know what music we’re performing to until we get onstage.

Ms. Lent gave us a little history about the Cunningham ideology, but Wikipedia sums it up neatly:

The most famous and controversial of these [radical innovations] concerned the relationship between dance and music, which [Merce Cunningham and John Cage] concluded may occur in the same time and space, but should be created independently of one another.

Initially the Cunningham/Cage concept of separation between choreography and music seemed sacrilegious. How do you choreograph if you’re not inspired by the music? How do you dance the steps if the music doesn’t tell you what to do? Typically, the music is the primary focus of classical ballet. You might learn the steps to start, and there might not be music at first, but the ultimate goal is to dance “with” the music. The Cunningham ideology requires getting used to a different style and method of working. Holding the music in different regard. Not relegating it but respecting it as its own separate entity.

The dance happens onstage. The music happens while the dance is happening. It’s their occurrence in time that binds them together.

 

See Ballet San Jose perform “Duets,” along with works by innovative choreographers Jorma Elo and Jessica Lang, beginning this Friday, April 19, at the San Jose Center for Performing Arts downtown. Buy tickets online at www.balletsj.org, or call our Box Office at (408) 288-2800. See you at the theater!

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What to Wear to the Ballet: Silicon Valley Edition

Alexsandra Meijer in Ben Stevenson's Cinderella, which opens tomorrow. Photo by Chris Hardy.

Sure, you can attend the ballet dressed as Cinderella! Ballet SJ Principal Alexsandra Meijer models the fashions in a photo by Chris Hardy.

The following blog post was contributed by guest blogger Elizabeth Werness, a writer, beginning-level ballet dancer, and longtime friend of Ballet San Jose School principal Dalia Rawson. She loves reading fashion blogs, going to the ballet, and dressing up. Ballet San Jose does not necessarily endorse the products Elizabeth has linked in this post, but we do think these styles are pretty darn cute!

Nailing “casually chic” without swerving off into “sloppy” or “trying too hard” is tricky. So as a resident of Silicon Valley, what do you put on for Ballet San Jose’s upcoming performance of Cinderella? We explore some of your sartorial options.

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