Tag Archives: san jose center for the performing arts

Review Roundup: MasterPieces

As we closed the curtain on last weekend’s MasterPieces performance, the Ballet San Jose Company was glowing at their achievement, and the feeling was clearly contagious. Reflecting on their success, here are a few thoughts about the performance from our reviewers.

Carla Escoda of the Huffington Post commented on Ballet San Jose’s performance of Twyla Tharp’s In the Upper Room, stating,

The company threw themselves into that electrifying work with great style and daring – a triumph from start to finish.

Maykel Solas, Alexsandra Meijer, and Amy Marie Briones in Twyla Tharp's In the Upper Room. Photo courtesy of Ballet San Jose.

Maykel Solas, Alexsandra Meijer, and Amy Marie Briones in Twyla Tharp’s In the Upper Room. Photo courtesy of Ballet San Jose.

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Guest Stager: Stacy Caddell

After an acclaimed Nutcracker, our dancers are back in the studios rehearsing for our first program of 2015, MasterPieces. This week we are joined by Stacy Caddell, who is working with our dancers to stage George Balanchine’s Theme and Variations along with Sandra Jennings, also back in the studios since December. The ballet along with the company premiere of Jerome Robbins’ Fancy Free and the return of Twyla Tharp’s In the Upper Room make up the MasterPieces program, which will be performed on February 20-22 at the San Jose Center for the Performing Arts. These three works truly live up to the title of MasterPieces, and we are thrilled to be presenting this exquisite and diverse program. Keep reading to learn more about Stacy Caddell. For tickets to see MasterPieces, visit the Ballet San Jose website. Tickets start at only $25!

Stacy CaddellStacy Caddell

Stacy Caddell was born in Norfolk, Virginia where she began her dance training at the age of five. She attended the School of American Ballet and joined New York City Ballet at the invitation of George Balanchine in 1980. In 1991, Caddell joined Twyla Tharp’s company. She later toured with Tharp and Mikhail Baryshnikov in the full evening production of Cutting Up. After retiring from the stage, Caddell assisted Tharp at American Ballet Theatre on Known by Heart and at New York City Ballet on Beethoven’s Seventh. From 2002-2005, she served as Dance Supervisor for Tharp’s Tony Award winning Broadway show Movin’ Out. Caddell’s choreographic credits include the HBO series The Sopranos, the opera Aida for the Todi Festival in Virginia, and a ballet, our special waltz, for Ballet Academy East where she is a permanent guest faculty member. Caddell is currently a repetiteur and travels internationally to stage the works of Twyla Tharp and George Balanchine for Twyla Tharp and the George Balanchine Trust respectively.

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Guest Stager: Sandra Jennings

We’re in the middle of Nutcracker season, but we’re already thinking ahead to the New Year! This week, we were joined in the studios by Guest Stager Sandra Jennings, also ballet-mistress and coach at Mariinsky Theatre. Sandra is working with the Company to stage George Balanchine’s Theme and Variations for Ballet San Jose’s MasterPieces program. MasterPieces will be performed at the San Jose Center for the Performing Arts February 20-22, 2015.

Sandra Jennings

Sandra Jennings, courtesy of Mariinsky Theatre

 

Sandra Jennings

Sandra Jennings was born in Boston and began her dance training at an early age with June Paxman of the Washington Ballet and later with E. Virginia Williams at Boston Ballet. Later Sandra trained with teachers such as Harriet Hoctor, Shanna Bereska and Margaret Gill. Continue reading

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Dancer Spotlight: Nathan Chaney

Ballet San Jose sits down with our newest company member, principal dancer Nathan Chaney. This season is Nathan’s first with Ballet San Jose. In this interview, Nathan speaks about his dance background, what inspires him, his advice for aspiring professionals, and his views about dancing with Ballet San Jose.

Nathan Chaney is Ballet San Jose's newest Principal Dancer. See him perform May 9-11 in Masterworks of Movement and Theatre

Nathan Chaney is Ballet San Jose’s newest Principal Dancer. See him perform next May 9-11, 2014 in Masterworks of Movement and Theatre.

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Ohad Naharin, choreographer of Minus 16

Neoclassical to Now opens in one week on Friday, February 14. This program offers a wide range of styles, from Neoclassical Serenade choreographed by George Balanchine, to Jorma Elo’s contemporary Glow-Stop. Also featured in this program is the company premiere of Israeli choreographer Ohad Naharin’s Minus 16. Each work differs dramatically from the others, and Ballet San Jose’s dancers have to quickly adapt and move from one style to the next.

Transitioning into Minus 16, the dancers remove their pointe shoes and take on a very different style of dancing called Gaga. Pioneered by Ohad Naharin, Gaga is a “movement language” emphasizing sensation and pleasure in movement. This particular style of dance is very popular in Israel, especially in Tel Aviv, and it is the main style of dance taught at Batsheva Dance Company where Naharin is artistic director. Through Gaga, our dancers are learning and discovering new ways of moving, and according to Danielle Agami, assistant to the choreographer and one of the stagers for Ballet San Jose’s performance, “some of them are beginning to understand Gaga. They have to break down the habits that have been ingrained through years of classical ballet training.”

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Opening Weekend Tips from Ballet San Jose’s Lee Kopp

Regular visitors to downtown San Jose know all the secrets–the best parking spots, the best coffee shops, and the best places to catch a show on a Friday night.

But there are few locals who know their way around downtown San Jose better than Lee Kopp, Ballet San Jose’s Director of Marketing and Publicity. Lee has been with our organization for over 12 years! To those of you planning to attend Program One this weekend, Lee offers some tips to save you time and enhance your experience. Whether you are a first timer or a season(ed) subscriber, get ready to lose yourself in the magic of ballet. It’s going to be a spectacular show!

The Program

We’ve posted at length about all three of the pieces that make up Program One of Ballet San Jose’s 2012 Season: Marius Petipa’s Paquita, Jerome Robbins’ Interplay, and David Lichine’s Graduation Ball. Read back through our most recent blog posts for fun information about the choreographers and stagers of the pieces.

Lee’s Tip: You can also look at the recent posts on the Ballet San Jose Facebook page. We’ve shared some great articles about Jerome Robbins and Interplay that are simply fascinating!

The Theater

All performances of Program One will be held at the San Jose Center for the Performing Arts, which is located at 255 Almaden Boulevard (at the corner of Park Avenue) in downtown San Jose. If you are coming to see Ballet San Jose for the first time, here are some helpful tips about attending our performances.

Lee’s Tip: Did you you know that you can arrive a little bit early to your show and pre-order your refreshments for intermission? It’s true! Instead of standing in long lines, pre-order your drinks and find them waiting for you on the table next to the concession stand at the beginning of each break.

The Best Parking

Parking for the theater can be found at the Adobe office building directly across the street from the theater at 345 Park Avenue. This Adobe parking facility has a live attendant on duty and costs only $5.00 (cash only). Additional parking can be found just a block away in the open air lot at the corner of Almaden Boulevard and Woz Way, directly across the street from the San Jose Convention Center side entrance. This open air ground lot costs $7.00 and accepts credit cards in machines located throughout the area. There is no live attendant.

Lee’s Tip: Adobe’s garage is a great parking deal with a little extra security. I recommend parking in this underground covered garage and entering/exiting the garage through the West Lobby. It’s a short walk from the theater, and you can’t beat the price!

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