Tag Archives: Twyla Tharp

Dancer Spotlight: Joshua Seibel

Story by Susan Lee

Ballet San Jose‘s Joshua Seibel has some strong advice for young dancers: never let anyone tell you what you can’t do.

Seibel should know. Years of ear trouble—and multiple surgeries—have left Seibel mostly deaf.

“People probably don’t realize I should technically be wearing hearing aids,” he says.

But Seibel’s partial deafness hasn’t stopped him from dancing. This season, he was even promoted to soloist at Ballet San Jose.

Ballet San Jose

Alexsandra Meijer and Joshua Seibel. Photo by Quinn Wharton.

 

Seibel began dancing at the age of nine at the Yuma Ballet Theater. By thirteen, he was venturing out of Arizona to a summer program at the San Francisco Ballet. “The day we drove into San Francisco was Gay Pride Day,” Seibel laughs. “I was from a small town. I’d never seen anything like that!”

In 2003, Seibel attended Houston Ballet’s summer program and was asked to stay on. “Being a student there was intense. We’d train for twelve hours a day. Then we’d sometimes perform with the company at night. I was fourteen. It was a lot of work and responsibility at a young age.”

After finishing in the semi-finals at the 2006 Prix de Lausanne in Switzerland, Seibel joined the corps of the Houston Ballet. “It was so different from being a student,” he says. “First of all, I was actually getting paid! And I was performing at a much faster pace. Houston does a significant number of shows every year, so I was rehearsing a lot of ballets at once.”

Seibel was also the youngest member of the company. “It was intimidating,” he admits. “I didn’t want to slow other people down.”

In 2008, however, Seibel discovered that he needed ear surgery. Recovery was challenging. At one point, he was even told that he would never dance again.

Seibel took time off, joined Ballet Memphis, and then needed additional surgeries. At one point, Seibel actually decided to enlist in the military instead of returning to ballet.  “Ballet dancers make great military candidates,” Seibel points out. “They are very well disciplined, very physically fit, and good at standing in lines!”

But after yet more surgery prevented him from attending basic training, Seibel took extra time off to decide what he really wanted to do with his life. “Then, one day, I saw my friends perform at Ballet Arizona,” he says. “That was that.” Seibel called Dennis Nahat, the former artistic director of Ballet San Jose, who’d offered him a position in the past.

Seibel joined Ballet San Jose as an apprentice in 2010.

“It was a huge accomplishment for me to make it back to the studio,” he says.

Seibel has made close friends at Ballet San Jose. “When I first arrived, I was so surprised at how much people smiled and laughed during rehearsal. And José Manuel Carreño was the first male dancer I’d ever really admired.  I even recorded one of his performances on VHS back in 2007. He has huge ambitions and goals for Ballet San Jose. It’s so inspiring.”

This year, Seibel has danced the roles of a stomper in In The Upper Room and a sailor in Fancy Free.

“I’ve been so lucky,” he says. “My ears don’t affect my balance or my turns. Now, I don’t even make a big deal out of my hearing.”

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Review Roundup: MasterPieces

As we closed the curtain on last weekend’s MasterPieces performance, the Ballet San Jose Company was glowing at their achievement, and the feeling was clearly contagious. Reflecting on their success, here are a few thoughts about the performance from our reviewers.

Carla Escoda of the Huffington Post commented on Ballet San Jose’s performance of Twyla Tharp’s In the Upper Room, stating,

The company threw themselves into that electrifying work with great style and daring – a triumph from start to finish.

Maykel Solas, Alexsandra Meijer, and Amy Marie Briones in Twyla Tharp's In the Upper Room. Photo courtesy of Ballet San Jose.

Maykel Solas, Alexsandra Meijer, and Amy Marie Briones in Twyla Tharp’s In the Upper Room. Photo courtesy of Ballet San Jose.

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How DO we make all that fog?

It's so foggy!

Ballet San Jose’s Production Stage Manager Les Reinhardt shared this fun comic from Q2Q Comics yesterday in anticipation of our MasterPieces performance. One of the works on the program, Twyla Tharp’s In the Upper Room, features heavy “fog” on stage, actually termed haze and smoke. Here’s some fun facts about how we get all of that smoke on stage! Continue reading

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Guest Stager: Stacy Caddell

After an acclaimed Nutcracker, our dancers are back in the studios rehearsing for our first program of 2015, MasterPieces. This week we are joined by Stacy Caddell, who is working with our dancers to stage George Balanchine’s Theme and Variations along with Sandra Jennings, also back in the studios since December. The ballet along with the company premiere of Jerome Robbins’ Fancy Free and the return of Twyla Tharp’s In the Upper Room make up the MasterPieces program, which will be performed on February 20-22 at the San Jose Center for the Performing Arts. These three works truly live up to the title of MasterPieces, and we are thrilled to be presenting this exquisite and diverse program. Keep reading to learn more about Stacy Caddell. For tickets to see MasterPieces, visit the Ballet San Jose website. Tickets start at only $25!

Stacy CaddellStacy Caddell

Stacy Caddell was born in Norfolk, Virginia where she began her dance training at the age of five. She attended the School of American Ballet and joined New York City Ballet at the invitation of George Balanchine in 1980. In 1991, Caddell joined Twyla Tharp’s company. She later toured with Tharp and Mikhail Baryshnikov in the full evening production of Cutting Up. After retiring from the stage, Caddell assisted Tharp at American Ballet Theatre on Known by Heart and at New York City Ballet on Beethoven’s Seventh. From 2002-2005, she served as Dance Supervisor for Tharp’s Tony Award winning Broadway show Movin’ Out. Caddell’s choreographic credits include the HBO series The Sopranos, the opera Aida for the Todi Festival in Virginia, and a ballet, our special waltz, for Ballet Academy East where she is a permanent guest faculty member. Caddell is currently a repetiteur and travels internationally to stage the works of Twyla Tharp and George Balanchine for Twyla Tharp and the George Balanchine Trust respectively.

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Guest Stager: Shelley Washington

Joining us this week is Shelley Washington, here to stage In the Upper Room for Ballet San Jose’s MasterPieces program. Performed last season, Twyla Tharp’s In the Upper Room enjoyed standing ovations and glowing critical acclaim. Here’s what Rita Felciano of the San Jose Mercury News had to say of the performance:

In the Upper Room in an applause machine. One moment you have four women stalking and whirling in toe shoes, the next a leisurely group jogs backwards in slippers. The choreography’s demands on speed and precision partnering kept dancers on their toes and audiences at the edge of their seats. It was quite a ride.

We are again looking forward to seeing this masterpiece performed for the 2014/2015 Season and are so lucky to have the talented Ms. Washington here to set the stage. Read below to learn more about Washington’s background and many achievements, and don’t miss Ballet San Jose’s performance of In the Upper Room, on stage at the San Jose Center for the Performing Arts February 20-22, 2015.

 

Shelley Washington

Shelley Washington

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Dancer Spotlight: Nathan Chaney

Ballet San Jose sits down with our newest company member, principal dancer Nathan Chaney. This season is Nathan’s first with Ballet San Jose. In this interview, Nathan speaks about his dance background, what inspires him, his advice for aspiring professionals, and his views about dancing with Ballet San Jose.

Nathan Chaney is Ballet San Jose's newest Principal Dancer. See him perform May 9-11 in Masterworks of Movement and Theatre

Nathan Chaney is Ballet San Jose’s newest Principal Dancer. See him perform next May 9-11, 2014 in Masterworks of Movement and Theatre.

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